But Six Metamorphoses appeared to have more lasting impact, in the sense that it encouraged other composers to recognise the expressive potential of the oboe and helped to expand its repertoire. 2 (which featured the oboe alongside a string trio), along with Temporal Variations and Two Insect Pieces. The solo oboe is surprisingly well-served among Britten’s repertoire: in the 1930s he composed the Phantasy, op. As Sarah Bardwell describes in this week’s film, this concert was recently recreated with Nicholas Daniel as the boat-bound soloist. As had become traditional in the early Festivals, there was a concert on Thorpeness Meare, with soloists and audiences alike in rowing boats, and the Six Metamorphoses were first heard on the water: the intrepid soloist was Janet Boughton. Britten composed this work for solo oboe in 1951, completing it in time for its premiere during the Aldeburgh Festival of that year.
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